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So we went to see True Grit last night. I guess it just goes to show there are some films that shouldn't be redone. Honestly, Coen Brothers, I expected better from you. Some of your trademark quirkiness, some of that pervasive disbelief, that I can't believe what you're doing here sort of seduction, and you didn't do it. You told a story, and it wasn't told all that convincingly. Sure, you retained Mattie's speech patterns from the book which really -- that's the trademark of the whole story -- but didn't do it in a new or engaging or ingenious sort of way.
Okay, let's step back and look at the cast: Jeff Bridges, one of my favorites, an actor who can do just about anything and everything, and you evoke drunken Bad Blake from Crazy Heart? Come on, guys, it's Rooster Cogburn, a great character in his own right, and you didn't need to make everyone sound just like Mattie, kids. Mmm. Okay. Matt Damon, whose character could have been played by anyone, he didn't bring anything interesting to the role. Josh Brolin, who had all of about five minutes of screen time and he was okay, but didn't have much to work with, and poor little Hailee Steinfeld, who did a yeoman job with Mattie, but she was... well, I know Mattie's only fourteen, but there was nothing particularly passionate about her character. Just a lot of talk, and I'm sure she played it exactly as directed. So all in all, this movie took the book, which I remember loving, and made a film that was more or less nap-inducing. Eh. Gah. I could have pocketed the $30 we spent and done something fun.
Now for the good. I have a real soft spot for period pieces -- this definitely qualifies -- and the settings, the scenery, the costuming, the makeup, are all top-notch. The cinematography is pretty exquisite. There are vast distant camera angles that soften or toughen or lend lenience or urgency to the scenes. The bit players are all really good, when given good stuff to work with. My favorites: Barry Pepper and Domhnall Gleeson (whose character broke my heart more than any other). The music is lovely and doesn't overwhelm.
The bad: There's such a cardboard, one-dimensional feel to the film that left me restless watching and glad when it was over. It didn't really retain any of the humor of the original or the innovation of the book. The violence is incredibly graphic and disturbing even when that was completely unnecessary. We know it was the old west. We know things were tough. Violence shouldn't be played for laughs unless that's a consistent trademark of the film, and it wasn't. Let me backtrack: at least in Fargo when Steve Buscemi's character went into the wood chopper, it made sense. Yes, it was disgusting, but it was part of the story. I guess you could argue that the violence here was an equal part of the story, but it all felt unnecessary. We know people get shot and die. We don't need to see their heads exploding when they hit sharp rocks too.
All in all, I give it a C-. That's a C-minus, and that sucks because I really, really wanted to love this adaptation for Jeff Bridges alone. But I couldn't, and if you really want to see it, you might want to wait until it's out on DVD and save yourself some $$.
Okay, let's step back and look at the cast: Jeff Bridges, one of my favorites, an actor who can do just about anything and everything, and you evoke drunken Bad Blake from Crazy Heart? Come on, guys, it's Rooster Cogburn, a great character in his own right, and you didn't need to make everyone sound just like Mattie, kids. Mmm. Okay. Matt Damon, whose character could have been played by anyone, he didn't bring anything interesting to the role. Josh Brolin, who had all of about five minutes of screen time and he was okay, but didn't have much to work with, and poor little Hailee Steinfeld, who did a yeoman job with Mattie, but she was... well, I know Mattie's only fourteen, but there was nothing particularly passionate about her character. Just a lot of talk, and I'm sure she played it exactly as directed. So all in all, this movie took the book, which I remember loving, and made a film that was more or less nap-inducing. Eh. Gah. I could have pocketed the $30 we spent and done something fun.
Now for the good. I have a real soft spot for period pieces -- this definitely qualifies -- and the settings, the scenery, the costuming, the makeup, are all top-notch. The cinematography is pretty exquisite. There are vast distant camera angles that soften or toughen or lend lenience or urgency to the scenes. The bit players are all really good, when given good stuff to work with. My favorites: Barry Pepper and Domhnall Gleeson (whose character broke my heart more than any other). The music is lovely and doesn't overwhelm.
The bad: There's such a cardboard, one-dimensional feel to the film that left me restless watching and glad when it was over. It didn't really retain any of the humor of the original or the innovation of the book. The violence is incredibly graphic and disturbing even when that was completely unnecessary. We know it was the old west. We know things were tough. Violence shouldn't be played for laughs unless that's a consistent trademark of the film, and it wasn't. Let me backtrack: at least in Fargo when Steve Buscemi's character went into the wood chopper, it made sense. Yes, it was disgusting, but it was part of the story. I guess you could argue that the violence here was an equal part of the story, but it all felt unnecessary. We know people get shot and die. We don't need to see their heads exploding when they hit sharp rocks too.
All in all, I give it a C-. That's a C-minus, and that sucks because I really, really wanted to love this adaptation for Jeff Bridges alone. But I couldn't, and if you really want to see it, you might want to wait until it's out on DVD and save yourself some $$.
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Date: 2011-01-24 01:29 am (UTC)no subject
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Date: 2011-01-24 01:26 pm (UTC)no subject
Date: 2011-01-24 04:50 pm (UTC)I did just order myself a copy of the book again, since I can't find mine, I assume it's long gone in that way books have of getting up and moving along. But now I really want to reread it to see why I remember liking it so well.
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Date: 2011-01-24 06:29 pm (UTC)