g.j. (
in_the_blue) wrote2007-08-30 12:44 am
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I'll take the other thing.
I miss the days when I used to host writing challenges right here in this very journal.
So. Now that the seventh Harry Potter book has been written... I think it's time for a different kind of writing challenge. I used to host the short-short ficlets, 300 words or less, open fandom.
Today, I'm going OC. And that doesn't stand for Orange County: it stands for original character.
Ready? 3, 2, 1, let's... get inspired to write original fiction, folks. The theme for the challenge is change: take 500 words to introduce an original character and demonstrate some measure of change for him, for her, for it.
Rules:
NOTE: All ficlets in comments here are the property of their respective writers. Consider them copywritten with all rights reserved. If you want to quote, copy, or redistribute, please get the author's permission first. Otherwise, I'll have to lock this down. Thanks.
So. Now that the seventh Harry Potter book has been written... I think it's time for a different kind of writing challenge. I used to host the short-short ficlets, 300 words or less, open fandom.
Today, I'm going OC. And that doesn't stand for Orange County: it stands for original character.
Ready? 3, 2, 1, let's... get inspired to write original fiction, folks. The theme for the challenge is change: take 500 words to introduce an original character and demonstrate some measure of change for him, for her, for it.
Rules:
- Fandom: original only
- Word count: 500 or less
- Main theme: change
- Ratings: No restrictions.
- Duration: Challenge opens now (August 30) and closes at 11:59 p.m. in whatever time zone you inhabit on Wednesday, September 5.
NOTE: All ficlets in comments here are the property of their respective writers. Consider them copywritten with all rights reserved. If you want to quote, copy, or redistribute, please get the author's permission first. Otherwise, I'll have to lock this down. Thanks.
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Untitled, 500 words. Previously unwritten backstory to a work in progress.
"This whole idea is crazy enough. I'm not going to risk my neck for a dog." The set to his jaw was grim; he shook his head and tried not to roll his eyes. As fond as he was of Takeo, there was a lot about the guy he didn't understand. Even though they'd been partners for years -- Takeo was the single best mentor on staff -- there was a side to him Ray could never quite figure out. He ran hot; he ran cold. He was sentimental; he could be so cruel. He worked his students like a traditionalist, but he was always good with kind advice or comfort when he worked them too hard.
Out of the corner of his eye, he caught Takeo shrugging and smiling that annoyingly smug smile Ray knew only too well. It meant his partner had a secret edge and was going to win at all cost.
"I'm not stopping for a dog." Momentarily, he was tempted to offer up the standard disclaimer: you're the one who has to feed it and walk it and take care of it. You'll have to find a vet when it's sick and board it when we're busy. But he shook his head and took the controls. "No pets."
Takeo conjured a toothpick out of some pocket or other, sliding it between his straight white teeth. His hands, strong and competent, leafed through the pages of the file on his lap as the ship took off. "Dog was a thirteenth-birthday present, boss. He never goes anywhere without it." One page turned, then another, then a third and the whole time the toothpick never left its resting spot between Takeo's teeth. How the guy could talk with that thing in his mouth, Ray never knew but he was a captive audience with no choice but to listen. "He ran away six times, but never without the dog. You think you can separate them now? Think again, boss: it's not going to happen. We'll lose him."
"I'm half tempted to turn this ship around and forget about the whole goddamn deal right now. This is..." Crazy was the only word for this mission they were on and the both of them knew it. Still, the stakes were high and it wouldn't be the first and only time he'd operated outside the law. But to risk it all over a dog?
"Go ahead." Now the toothpick came out; Takeo rolled it between thumb and forefinger in a move that wasn't as idle as it seemed because nothing about him was idle or random. "Then Wei and his guys will get him. But... you're the boss."
Fuck. What was the point of being in charge if everyone below you was always right? Then again, wasn't the mark of good management listening to advisors? He set the ship on cruise control, turned to Takeo, and laughed.
"Fine. The dog comes along too."
Takeo's pleasure was betrayed only by the very smallest of smiles.
Delicous, but wee...like a French dessert.
I can see this type of situation happening between Ray and Takeo on a regular basis, with Takeo rarely the loser.
I am intrigued as to the boy and his dog as being strong catalysts to cause this conversation and the inevitable clusterfuck to follow.
A yummy snack, now I hungry for more!!!
Re: Delicous, but wee...like a French dessert.
And that's all I'm going to tell you about him right now.
If/when I start putting up chapters of this work, you want to be on the filter? I'm proprietary about my original stuff and selective about the number of readers.
Re: Delicous, but wee...like a French dessert.
Oh if you ever want to see more of my stuff, mostly poetry or what passes (barely) for some unedited unadulterated and mostly vulgar, just skimm back a bit on my journal and hit the poetry tag.
Re: Delicous, but wee...like a French dessert.
Re: Delicous, but wee...like a French dessert.
My process for writing anything revolves around a single image that I focus all my emotions around until they explode. I then write all of the words down, and arrange them by sound. I figure it should only be read by those with truly naught better to do, on a day when the trite-o-meter has been refreshed.
Re: Delicous, but wee...like a French dessert.
Re: Delicous, but wee...like a French dessert.
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I love how Takeo had Ray right where he wanted him the whole time, it just took Ray a little while to figure that out.
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If I told you about the guy the dog is attached to, I'd have to kill you. Shh, it's a secret.
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i think i want to read your books when i am big enough. i like this. it'sclear you've seen lots of scifi, space rocketship etc stuff and know how the crew works and the dynamics etc. notthat i know much about it but it feels good to read something and know the author is familiar enough with the stuff to make me feel sure it' soudns real. did that make sense? i just sometimes feel lke well i don't know neough to make sure someone is painting the right picture and so forth. And with you i don't need to wonder about that.
And it all sounds so easy. It just flows. Like that one story of yours i read that i forgot to beta because it was so good...well i don't want to be your editor. I'd forget my job and just get the book to printing without even asking you.
fuck. why is everyone on my flist so good withthis stuff.
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The best compliment I've gotten on this story so far was from my husband, who's read almost all of it so far - some 88 pages - and he said "This is cool because it's set in the future but that almost doesn't matter. It could be anywhere or any time." And that's what I like to hear: the fine detailed mechanics of things don't matter but the scene I set does. Plus, you know me: the characters matter the most.
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i wnt t owrite liek that when i grow up. I'd liek to have peoel drawn to the chracters adn knowign instantly where the yare and jsut picturingthe thingin their head without me having to do a lot. adn with your stuff teh image doesn't matter so much. i'm hearing the dialogue in m hedaand i'm just paying attention t othe prose. heh. this is one o thoe styels whrey ou jsut need to read the words and real yread the words to gethe story.
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With a crew of two, there's not much beyond pilot and copilot, and that can apply in an airplane or on a spaceship or in a car or on a cruise liner or walking down the street, really. And I love that it's all incidental.